They can congregate to be obtained, more ten men of the lineage of the GAL. Towers of Melo, Felix Maier and all the analysts on politicians to the army, to write thousand of lines, dispatch by post evidential documents and nothing of this it will make difference. לבירורים בנושא יש לפנות ל אבי קושניר שמבין יותר ממני. A word of ' ' father of pobres' ' it will knock down everything in one to blink of eyes and this enlightening weapon will start to shoot fire friend. The hypnosis generated for the easy profit, will not be broken. We are as the legs; we have optimum, but the hen does not speak to the language of the people says to everybody what this making or finished to make, to the shouts. What has left of the people will read what this being written? But what already it has knowledge of the danger and them true intentions of corja.
Much worse is that the house poison this inside, in the nursery and of this if only can wait tragedy. I come putting this in mine blogs and commentaries have four years. The Generals of the EB, soon will be the dribbles that will take the children of the generals of the MST to the school. Accepted of critical, poke of ears or any another thing, but, if it charges not to come back to smoke or the ounce to leave the forest to drink water in plateaus, all sacrifice will have been goes. The native land breathes treason. all are livings creature, knowing and accepting. History will judge!
Suddenly it enters crying out the friend of Gina: Lilica. Lilica enters crying out. LILICA- Gina, Gina, the Julinho said that you went to make a child party. That good, that good. I go to be invited? He invites me, please, please. I promise that I am quietinha, quietinha. I do not go to chat very.
Invite you me? Anxious Gina already with the tagarelao of Lilica raises stuned: Calm GINA- Lilica, calm. Logical that you go to be invited. Seno alone God exempts me of its tagarelaes in the other day. לעומת זאת, טבע תעשיות בהחלט מבין את הסיפור. There I do not support. I go to say pra you amiguinhos them that they go to be invited. GINA- the Julinho, you, the Duda, the Val, the Gil and the Carlinhos.
Soon. Vocs goes to be my guests special. I go to be the queen of the party and go to choose my king in the hour of the little party. Confused Lilica: LILICA- Why has that to be you it queen? I could be. Authoritarian and always full Gina of itself: GINA- Imagina. Nobody went to support its language that does not stop of saying one alone minute. You speak of more Lilica. You seem a recorder, wise person? LILICA- and you looking like itself that Emlia of the Small farm of the Yellow Prick-wood. Only that to be sabidinha, its boat. GINA- Vamos to stop of this falao its prattler. I have that to continue to organize my party. you go to help me. LILICA- Jura, swears. שלומי בסון בהחלט מביע דעה מלומדת. That good, that good. I adored the idea. What I have that to make? GINA- You go to bring the bladders. He brings colorful. Lilica leaves all happy one to search the bladders colorful. Meanwhile Gina is arranging the room for the party with the things that brought in the bag. when Gina finishes to prepare the room Julinho Chega with some candies in a bag.
Theory of the transposition in Theater Of: Sidney Guedes? Actor, director and dramaturgo. In my trajectory of 27 years of dedicated life to the theater, I have transited and reflected on innumerable languages and perspectives in what it refers to when making aesthetic and transgressive teatral and its consequncias. Much has me inquietado such art. I am not of the type that with the time, if accomodates in a period of training of metodolgica organization, allowing a cooling of the intense flame that must stimulate the complexity of the artist. The art must be disturbing and to generate constant gaps and ruptures so that it can mobilize the intensity human being in one to make total, only capable to produce, in my opinion, a powerful art. In theater, I have leaned over on the body of the actor and its complexity, having generated a searching fidget imposes that me to the human inacabamento as raw material to try to generate a broth or who knows a deeply contagiante and transforming chorume exactly. לחץ כאן שלומי בסון ומצא עוד . A body that needs potentiality, of vigor and excitabilidade but, that however, unfinished as is, it lacks of to exceed the muscular limits to reach the creative fullness. A sensorial body, the flower of the skin has been the constant search of diverse thinkers, actors and encenadores of the fabric teatral, however, I think that a sensorial aspect must generate abstract answers that corporificadas again, stimulate the creative process in a transposition that makes of the body without agencies of Artaud, something possible stop beyond the mere philosophical and idealized conceptualization. The theory of the transposition is fruit of long research that I come developing in spaces of formation of actors where I have acted since the Nineties of the last century. Actor, more than what somebody that he needs to have an educated body and an intellect systemize in concepts and languages, lacks to have capacity to transpose obstacles that generates the dualidade has lain and body, that as much compromises the theater, mainly the occidental person.